- Produse
- Instrumente
- Teatru
- TV / Radio
- Conferinta
- Videoconferinta
- Discoteca
- Club
- Pub
- Moteluri
- Baruri
- Restaurante
- Iluminat / Arhitectural
- Sunet AcasaSunet Masina
- Tur Virtual Magazin
- Parteneri:
TV / Radio
M7CL V2The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations.
The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.
Internal processing 32bit (Accumulator=58bit)
Sampling frequency rate Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
Total harmonic distortion
Input Gain=Min. CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms
Frequency response CH INPUT to OMNI OUT
0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600ohms
Dynamic range
(maximum level to noise level) 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
Hum & noise level -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
Crosstalk(@1kHz) Input Gain=Min -80dB, Adjacent input channels
-80dB, Input to output
Power requirements 110V-240V, 50/60Hz
Power consumption M7CL-48: 300W, M7CL-32: 250W
Dimensions M7CL-48: 1274(W) x 286(H) x 701(D)mm, 50kg
M7CL-32: 1060(W) x 286(H) x 701(D)mm, 42kg
Weight M7CL-48: 50kg, M7CL-32: 42kg
JBL
GT5-A402EJBL GT5-A402E
MSP STUDIOYamaha's "STUDIO" series monitors have been designed with serious monitoring in mind. Emphasis is on reference-quality reproduction precision that lets you hear sonic details, rather than flattering sound. They carry on in the tradition of the venerable NS10M STUDIO monitor speaker, which was the definitive near-field speaker monitor in an overwhelming majority of professional studios throughout the world for many years from the 80s onward. But technology has evolved dramatically right throughout the audio chain, and speakers must follow suit.
The new top-of-the-line MSP7 STUDIO Powered Monitor Speaker is capable of delivering consistent quality and performance that you can rely on in modern production environments that handle any combination of digital and analog sources as well as stereo and surround formats.
Tn SeriesA new standard in touring amplifiers, offering 2-ohm drive capability.
In the 30 years that have passed since the P2200 power amplifier was introduced in 1976, Yamaha has been dedicated to the development of power amps that deliver superior sound, power, and reliability. And now, in 2006, Yamaha is proud to announce a new flagship series that marks this 30th anniversary with unprecedented performance: the Tn Series.
The Tn series amplifiers are ruggedly designed to deliver optimum performance even under tortuous tour conditions, while offering sonic quality befitting a top-line model with up to 2500 watts power output (T5n, stereo @ 2 ohms). The ability to stably drive load impedances as low as 2 ohms makes the Tn series amplifiers ideal for powering line-array systems on the road. A high-volume fan cooling system and comprehensive protection circuitry help to maintain high reliability, and power consumption has been reduced by 50% compared to conventional amplifiers thanks to Yamaha's high-efficiency EEEngine amplifier technology.
Of course the Tn Series includes on-board networking capability for remote control and monitoring, aptly denoted by the "n" of Tn. Representing the culmination of 30 years of development and experience, Yamaha new Touring Amplifier with Network Capability — the Tn series amplifiers — are set to become the standard for a new generation of large-scale live sound systems.
Main Features
* High power for tour applications: T5n = 2500W, T4n = 2200W, T3n = 1900W.*
* Stable 2-ohm drive capability is ideal for line array speaker systems.
* Certified at 2 ohms by Underwriters Laboratories Inc. and Intertek ETL SEMKO. Compliance with these safety standards prove operation safety and quality even in 2 ohm conditions.
* Extraordinary midrange and high end detail with solid, commanding bass. Exhaustive vibration-reduction measures have resulted in unprecedented sound quality.
* A durable exterior, large cooling fans and fan guards, easily replaceable filters, and other reliability features help to deliver total dependability even under demanding tour conditions.
* Original Yamaha EEEngine amp drive technology realizes a 50% reduction in power consumption compared to conventional amplifiers.
* Remote amplifier control and monitoring via the Yamaha ACU-16C Amp Control Unit.
* A variety of input terminals, removable handles, and other features for maximum installation and handling versatility.
EMX512SC, EMX312SC, EMX212SIntegrated Solutions for Superior Live Sound
Experienced musicians, performers, speakers, and club operators know the importance of a high-quality sound system with the right features and performance to deliver their sound. Where portability and convenience are important criteria, a system based on a high-performance Yamaha EMX-series powered mixer is definitely the way to go. In one integrated, portable unit you have a mixer to combine and balance your microphone and instrument and line sources, effects to refine and polish your sound, and power to drive the main speakers and even monitor speakers as well. But that's nowhere near the whole story - Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control … and, of course, that unrivalled Yamaha sound
• 12 versatile inputs: 1 through 4 for mono microphone or line, 5/6 and 7/8 for mono microphone/line or stereo line input,
and 9/10 and 11/12 for stereo line input.
• Advanced Yamaha one-knob compressor on mono EMX512SC and EMX312SC input channels.
• Yamaha FCL system makes locating and eliminating feedback easier than ever.
• 16 digital SPX effect programs with adjustable parameters.
• Footswitch connector for effect on/off control.
• Standby switch can be used to mute performer’s inputs while the stereo inputs remain active for background music
playback.
• High-quality, high power output with remarkably efficiency and low heat generation.
• Connectors for external power amplifiers and effect processors.
• Independent 7-band graphic equalizers for the stereo and monitor outputs.
• Yamaha Speaker Processing.
• Forced air keeps the system cool.
• Optional rack mount hardware.
XP SeriesFive Superb Amplifiers Optimized for Installation Use
The Yamaha XP series offers five power amplifier models that deliver unmatched quality and value for installations. These power amplifier feature high power, outstanding sound quality, extended reliability, and superior stability for a wide range of installed sound systems as well as portable live sound applications.
XP7000
700W + 700W (8 ohms, 20 Hz - 20 kHz), compatible with 70V lines (stereo)
XP5000
500W + 500W (8 ohms, 20 Hz - 20 kHz)
XP3500
350W + 350W (8 ohms, 20 Hz - 20 kHz), compatible with 100V lines (bridged)
XP2500
250W + 250W (8 ohms, 20 Hz - 20 kHz)
XP1000
110W + 110W (8 ohms, 20 Hz - 20 kHz)
Figures based on US120V specifications. See the specifications for details.
* Five models with power output ranging from 700W to 100W into stereo 8 ohms loads.
* Advanced circuit design and carefully selected parts deliver quality on a par with top-line models.
* Exclusive Yamaha EEEngine technology achieves unmatched efficiency.
* +4dBu/26dB/32dB gain switch for flexible level matching.
* Lightweight, compact 2U design for easy handling and installation.
* Monitor and Remote terminals for remote monitoring and control.
* Precision 1-dB/step detented attenuators.
* A selection of terminals and features for professional connectivity.
* Frequency-switchable high-pass filter for subsonic noise reduction or subwoofer matching.
* Comprehensive protection circuits, indicators and variable-speed cooling.
* Ideal matches for the DME64N/24N Digital Mixing Engines and Installation Series speakers
MG206C, MG166C, MG124C, MG102CWhether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha's MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability.
The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you're likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format.
In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior.
10, 12, 16, or 20 inputs in remarkably lightweight, portable designs.
• Yamaha’s innovative one-knob compressor lets you easily dial in the amount of compression you need.
• High-quality Neutrik™ balanced XLR connectors on mono microphone/line channels and XLR-equipped stereo channels.
• Top-mounted input and output connectors for easy setup and re-patching.
• High-performance microphone preamplifiers with switchable phantom power.
• 3-band channel EQ and high-pass filters (sweepable midrange on the MG166C, MG206C).
• Smooth 60-millimeter faders & illuminated channel ON switches (MG124C, MG166C, MG206C).
• The MG102C has a single stereo bus (i.e. two mono buses), while all other models feature one or two additional stereo
group buses and outputs for convenient channel grouping.
• AUX sends with master send controls for convenient processing and monitoring.
• Return level controls for the AUX and STEREO buses.
• Bright meters for visual level monitoring.
• Optional microphone stand mount available for the MG102C.
• MG166C, MG206C rack mountable.