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M7CL V2

The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations.
The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.

Internal processing 32bit (Accumulator=58bit)
Sampling frequency rate Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
Total harmonic distortion
Input Gain=Min. CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms
Frequency response CH INPUT to OMNI OUT
0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600ohms
Dynamic range
(maximum level to noise level) 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
Hum & noise level -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
Crosstalk(@1kHz) Input Gain=Min -80dB, Adjacent input channels
-80dB, Input to output
Power requirements 110V-240V, 50/60Hz
Power consumption M7CL-48: 300W, M7CL-32: 250W
Dimensions M7CL-48: 1274(W) x 286(H) x 701(D)mm, 50kg
M7CL-32: 1060(W) x 286(H) x 701(D)mm, 42kg
Weight M7CL-48: 50kg, M7CL-32: 42kg
JBL GT5-A402EJBL GT5-A402E
LS9-32, LS9-16

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16.
While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles

Internal processing 32bit (Accumulator=58bit)
Sampling frequency rate Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
Total harmonic distortion
Input Gain=Min. CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz
Frequency response CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz
Dynamic range
(Maximum level to noise level) 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
Hum & noise level -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
Crosstalk(@1kHz) Input Gain=Min -80dB, Adjacent input channels
-80dB, Input to output
Power requirements 110V-240V, 50/60Hz
Power consumption LS9-32: 170W, LS9-16: 95W
Dimensions LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm
Weight LS9-32: 19.4kg, LS9-16: 12.0kg
iWash 575

SPECIFICATIONS:
• CMY color mixing
• 6 colors + open
• CTO filter
• Beamshaper 180°
• Proportional zoom 9.5° - 34°
• Dimmer
• Mechanical strobe, electronic strobe (EB version),
synchronized, random, pulse effect
• Pan 538°, Tilt 252°, 16 bit
PHYSICAL SIZE:
• Length: 380 mm (15.0 in)
• Width: 495 mm (19.5 in)
• Height: 635 mm (25.0 in), head straight up
• Weight, MB version: 34.6 kg (76.3 lbs)
• Weight, EB version: 25.1 kg (55.3 lbs)
LAMP AND BALLAST:
• Type: Philips 575 MSR/2
• Color temperature: 7200 Kelvin
• Color rendering index: 80
• Average lamp life: 1000 hours
• Socket: GX 9.5
• Electromagnetic ballast (MB version)
• Electronic ballast with Power Factor Correction (EB
version)
CONTROL PROTOCOL AND PROGRAMMING:
• USITT DMX512/1990
• DMX channels: 16
• Setting and addressing: led display or remotely
ELECTRICAL SPECIFICATIONS/CONNECTIONS:
• AC power, MB version: 200-208/230/240 V or
100-115/200-208/230/240 V, 50/60 Hz,
2m (6.6 ft) integral cable without power plug
• AC power, EB version: 115/208/230/240 V, 50/60Hz,
2m (6.6 ft) integral cable without power plug
• Power consumption, MB version:
4 A at 230 V, 8 A at 115 V
• Power Consumption, EB version:
3.4 A at 230 V, 7.2 A at 115 V
• DMX data in/out: 3 pin locking XLR
OPTIONS:
• Maxi diffuser lens kit (#KIT96)
AVAILABLE VERSIONS:
iWash 575 MB - 200-208/230/240V 50/60HZ - # 9106
iWash 575 MB - 100-115/200-208/230/240V 50/60HZ - # 9106/1
iWash 575 EB - 115/208/230/240V 50/60HZ - # 9105/L

photo 5QSA210

The QSA-210 is a two way passive line array speaker. Two 10” neodymium loudspeakers, two 1” neodymium drivers handle a power of 500 watts. Easy to use, the new Qube Line Array is made, as well as all Qube products, in cooperation with Renkus-Heinz R&D team. The system is based on a totally new radical technology: the Isophasic Plane Wave Generator.
By the use of a true acoustical lens in the hornsection loaded by two 1" high-compression neodymium drivers, the result is a line shaped source evenly distributed within the cabinet as well as within the line array. It allows high power and precise line array performance to be generated from a column of biamped (minimum 6 speakers)cabinets just 60 cm wide making it perfect for medium-sized tours and installations in venues such as theatres.
The Qube series is fully compatible, electronically and acoustically, with the QSA-210, which can be used to partner it with sidefills, downfills and sub-bass cabinets. The cabinet is designed for extremely quick set-up and the included twopoint flying hardware admits two different settings (0° and 5°) for straight line array as well as curved clustering.
The express-bar is designed to enable firm fly mount as well as ground-stacking. The SP 26 is a digital signal processing controller programmed to optimise the performances of the total system.

SINGLE CABINET
Horizontal dispersion 150°
Vertical dispersion 5°
LF Drivers 2x10"neodymium woofers
HF Drivers 2x1" neodymium drivers
Power LF 400 W RMS into 8 Ohm
HF 100 W RMS into 8 Ohm
Sensitivity (1 W/1 mt.) LF 101 dB
HF 107 dB
Max SPL LF 127 dB
HF 127 dB
Net dimensions (WxHxD) cm 60,5x29,5x40,5
Net weight kg 32
8 SPEAKERS
Frequency range (-3dB) 60 Hz -18 KHz
Sensitivity (1 W/1 mt.) LF >_ 110 dB
HF >_ 110 dB (splay dependent)
Max calculated SPL LF >_ 144 dB
HF >_ 139 dB (splay dependent)
Horizontal coverage 150°
Vertical coverage Splay dependent
Controller SP 26 D
Suggested subwoofers QS 218 - QS 118 RUT - TRS
Suggested power amplifiers PA 360


photo 3Q 208
Configuration (fullrange) Way 2
Recommended Amplifier Watts (RMS) 600
Long term power Watts 300
Short term power (IEC 268-5) Watts 1200
Nominal impedance ohms 8
Configuration (bi-amp) Way 2
Recommended Amplifier Watts (rms) 600/100 (LF/HF)
Long term power Watts 300/50 (LF/HF)
Short term power (IEC 268-5) Watts 1200/200 (LF/HF)
Nominal impedance ohms 8/8 (LF/HF)
Frequency response @ -6dB 65Hz - 18KHz
Low frequency woofer inch 2 x 8"-2 voice coil
High frequency driver inch 1 - 1.7 voice coil
Sensitivity / full range (@1W/1m)dB 100
Sensitivity / bB-amp (@1W/1m)dB 100/106 (LF/HF)
Maximum SPL (full range) dB 130,5
Maximum SPL (Bi-amp) dB 130,5/128,5 (LF/HF)
Dispersion (rotatable)H x V 80° x 50°
Crossover frequency KHz 1,8
Recommended HP filter 55 Hz-24 db oct
Recommended External Controller Qube SP 22 D
Input connectors 2 Speakon NL-4
Net dimensions (WxHxD) cm 29,2x67x25,3 (11,5"x263"x10)
Net weight Kg 13,6 (30,25 lbs.)
photo 6QM 115

Two way monitor speaker system; 15” woofer - 2” coax driver
The QM 115 floor monitor features a low profile cabinet design employing a COAXIAL 15” LF woofer, a concentric mounted HF driver with a 3” titanium diaphram and a 2” exit. The use of a coaxial speaker is quite close to a one point source and offers 70° conical dispersion which excels for monitoring applications Vs conventional floor monitors employing a individual woofer and a separate HF horn / driver. The result is a monitor with an excellent vocal presence, clarity, and provides flat response without coloration as well as superior anti feedback resistance. The built in full range passive crossover, also offers bi amped operation via a switch on the input panel. The QM 115 is capable of up to 133dB SPL allowing it to be used in concert applications where instrument stage volumes can sometimes overwhelm monitor mixes. The QM 115 also excels as a Drum monitor especially when it is used along with a QS 115 or QM 118 subwoofer. The cabinet is constructed with 18 mm (3/4”) Baltic birch plywood, is internally braced to prevent undesired resonance and features a scratch and scuff resistant black paint finish. Six M-10 fly points provide for additional applications as a flying side fill, as a FOH speaker and as a truss mounted front fill.

Configuration (Full range) Way 2 coaxial
Recommended amplifier Watts (RMS) 700
Long term power Watts 350
Short term power(IEC268-5) Wstts 1400
Nominal impedance ohms 8
Configuration (Bi amp) Way 2
Recommended amplifier Watts (RMS) 700/160 (LF/HF)
Long term power Watts 350/80 (LF/HF)
Short term power(IEC268-5) Watts 1400/320 (LF/HF)
Nominal impedance ohms 8/8 (LF/HF)
Frequency response @ -6dB 60Hz – 18kHz
High frequency driver 2" – 3" voice coil
Low frequency woofer 15" – 3" voice coil
Sensitivity (Full range) (@1W/1m) dB 99
Sensitivity (Bi amp) (@1W/1m) dB 99/108 (LF/HF)
Maximum SPL (Full range) dB 130
Maximum SPL (Bi amp) dB 103/133 (LF/HF)
Crossover frequency kHz 1,6
Dispersion 70° conical
Recommended HP filter 45Hz-24dboct
Recommended external controller Qube SP 22 D plug in module
Input connectors 2 Speakon NL 4
Net dimensions (WxHxD) cm 53,7x38,7x59,8 ( 21,14"x15,23"x23,54")
Net weight Kg 27(59,5lbs)


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