Discoteca
M7CL V2
The M7CL series is a digital live-sound console that
carries on the
digital evolution from the acclaimed PM1DV2 and PM5D consoles. It
includes an impressive array of advanced concepts such as the
"Centralogic™" control interface that makes it as easy and intuitive to
use as an analog console, and in-depth access management facilities
that will be particularly appreciated in installations.
The M7CL is
familiar and comfortable to use, offering a level of convenience that
overturns the preconception that "digital is difficult". A surprising
range of functions that you would normally have to supply in the form
of peripheral equipment is built in, and all of this is provided in a
space that is dramatically less than an analog console of similar
scope. The M7CL is the ideal digital mixing console for medium size
live sound applications that have previously been handled by analog
gear.
Internal processing 32bit (Accumulator=58bit)
Sampling frequency rate Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
Total harmonic distortion
Input Gain=Min. CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms
Frequency response CH INPUT to OMNI OUT
0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600ohms
Dynamic range
(maximum level to noise level) 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
Hum & noise level -128dB, Equivalent input noise (20-20kHz,
Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
Crosstalk(@1kHz) Input Gain=Min -80dB, Adjacent input channels
-80dB, Input to output
Power requirements 110V-240V, 50/60Hz
Power consumption M7CL-48: 300W, M7CL-32: 250W
Dimensions M7CL-48: 1274(W) x 286(H) x 701(D)mm, 50kg
M7CL-32: 1060(W) x 286(H) x 701(D)mm, 42kg
Weight M7CL-48: 50kg, M7CL-32: 42kg
JBL
GT5-A402EJBL GT5-A402E
LS9-32, LS9-16
The LS9 series consoles follow in the distinguished
footsteps of the
Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console
lineup for live sound and installations. The LS9 series consists of the
32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32
channel LS9-16.
While being compact and light enough for one person
to move and set up easily, both models include features that have been
field-proven in previous Yamaha digital consoles as well as outstanding
sonic quality. In addition to an extensive range of gating,
compression, and equalization capabilities, there's also a built-in USB
memory recorder/player for recording or BGM playback, and other
functionality that give you everything you need for small to medium
scale live sound or installed applications in remarkably compact,
all-in-one consoles
Internal processing 32bit (Accumulator=58bit)
Sampling frequency rate Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)
Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
Total harmonic distortion
Input Gain=Min. CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz
Frequency response CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz
Dynamic range
(Maximum level to noise level) 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)
Hum & noise level -128dB, Equivalent input noise (20-20kHz,
Rs=150ohms, Input Gain=Max)
-84dB, Residual noise
Crosstalk(@1kHz) Input Gain=Min -80dB, Adjacent input channels
-80dB, Input to output
Power requirements 110V-240V, 50/60Hz
Power consumption LS9-32: 170W, LS9-16: 95W
Dimensions LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm
Weight LS9-32: 19.4kg, LS9-16: 12.0kg
iWash 575
SPECIFICATIONS:
• CMY color mixing
• 6 colors + open
• CTO filter
• Beamshaper 180°
• Proportional zoom 9.5° - 34°
• Dimmer
• Mechanical strobe, electronic strobe (EB version),
synchronized, random, pulse effect
• Pan 538°, Tilt 252°, 16 bit
PHYSICAL SIZE:
• Length: 380 mm (15.0 in)
• Width: 495 mm (19.5 in)
• Height: 635 mm (25.0 in), head straight up
• Weight, MB version: 34.6 kg (76.3 lbs)
• Weight, EB version: 25.1 kg (55.3 lbs)
LAMP AND BALLAST:
• Type: Philips 575 MSR/2
• Color temperature: 7200 Kelvin
• Color rendering index: 80
• Average lamp life: 1000 hours
• Socket: GX 9.5
• Electromagnetic ballast (MB version)
• Electronic ballast with Power Factor Correction (EB
version)
CONTROL PROTOCOL AND PROGRAMMING:
• USITT DMX512/1990
• DMX channels: 16
• Setting and addressing: led display or remotely
ELECTRICAL SPECIFICATIONS/CONNECTIONS:
• AC power, MB version: 200-208/230/240 V or
100-115/200-208/230/240 V, 50/60 Hz,
2m (6.6 ft) integral cable without power plug
• AC power, EB version: 115/208/230/240 V, 50/60Hz,
2m (6.6 ft) integral cable without power plug
• Power consumption, MB version:
4 A at 230 V, 8 A at 115 V
• Power Consumption, EB version:
3.4 A at 230 V, 7.2 A at 115 V
• DMX data in/out: 3 pin locking XLR
OPTIONS:
• Maxi diffuser lens kit (#KIT96)
AVAILABLE VERSIONS:
iWash 575 MB - 200-208/230/240V 50/60HZ - # 9106
iWash 575 MB - 100-115/200-208/230/240V 50/60HZ - # 9106/1
iWash 575 EB - 115/208/230/240V 50/60HZ - # 9105/L
QSA210
The QSA-210 is a two way passive line array speaker. Two
10” neodymium
loudspeakers, two 1” neodymium drivers handle a power of 500 watts.
Easy to use, the new Qube Line Array is made, as well as all Qube
products, in cooperation with Renkus-Heinz R&D team. The system
is
based on a totally new radical technology: the Isophasic Plane Wave
Generator.
By the use of a true acoustical lens in the hornsection
loaded by two 1" high-compression neodymium drivers, the result is a
line shaped source evenly distributed within the cabinet as well as
within the line array. It allows high power and precise line array
performance to be generated from a column of biamped (minimum 6
speakers)cabinets just 60 cm wide making it perfect for medium-sized
tours and installations in venues such as theatres.
The Qube series
is fully compatible, electronically and acoustically, with the QSA-210,
which can be used to partner it with sidefills, downfills and sub-bass
cabinets. The cabinet is designed for extremely quick set-up and the
included twopoint flying hardware admits two different settings (0° and
5°) for straight line array as well as curved clustering.
The
express-bar is designed to enable firm fly mount as well as
ground-stacking. The SP 26 is a digital signal processing controller
programmed to optimise the performances of the total system.
SINGLE CABINET
Horizontal dispersion 150°
Vertical dispersion 5°
LF Drivers 2x10"neodymium woofers
HF Drivers 2x1" neodymium drivers
Power LF 400 W RMS into 8 Ohm
HF 100 W RMS into 8 Ohm
Sensitivity (1 W/1 mt.) LF 101 dB
HF 107 dB
Max SPL LF 127 dB
HF 127 dB
Net dimensions (WxHxD) cm 60,5x29,5x40,5
Net weight kg 32
8 SPEAKERS
Frequency range (-3dB) 60 Hz -18 KHz
Sensitivity (1 W/1 mt.) LF >_ 110 dB
HF >_ 110 dB (splay dependent)
Max calculated SPL LF >_ 144 dB
HF >_ 139 dB (splay dependent)
Horizontal coverage 150°
Vertical coverage Splay dependent
Controller SP 26 D
Suggested subwoofers QS 218 - QS 118 RUT - TRS
Suggested power amplifiers PA 360
Q 208
Configuration (fullrange) Way 2
Recommended Amplifier Watts (RMS) 600
Long term power Watts 300
Short term power (IEC 268-5) Watts 1200
Nominal impedance ohms 8
Configuration (bi-amp) Way 2
Recommended Amplifier Watts (rms) 600/100 (LF/HF)
Long term power Watts 300/50 (LF/HF)
Short term power (IEC 268-5) Watts 1200/200 (LF/HF)
Nominal impedance ohms 8/8 (LF/HF)
Frequency response @ -6dB 65Hz - 18KHz
Low frequency woofer inch 2 x 8"-2 voice coil
High frequency driver inch 1 - 1.7 voice coil
Sensitivity / full range (@1W/1m)dB 100
Sensitivity / bB-amp (@1W/1m)dB 100/106 (LF/HF)
Maximum SPL (full range) dB 130,5
Maximum SPL (Bi-amp) dB 130,5/128,5 (LF/HF)
Dispersion (rotatable)H x V 80° x 50°
Crossover frequency KHz 1,8
Recommended HP filter 55 Hz-24 db oct
Recommended External Controller Qube SP 22 D
Input connectors 2 Speakon NL-4
Net dimensions (WxHxD) cm 29,2x67x25,3 (11,5"x263"x10)
Net weight Kg 13,6 (30,25 lbs.)
QM 115
Two way monitor speaker system; 15” woofer - 2” coax driver
The QM
115 floor monitor features a low profile cabinet design employing a
COAXIAL 15” LF woofer, a concentric mounted HF driver with a 3”
titanium diaphram and a 2” exit. The use of a coaxial speaker is quite
close to a one point source and offers 70° conical dispersion which
excels for monitoring applications Vs conventional floor monitors
employing a individual woofer and a separate HF horn / driver. The
result is a monitor with an excellent vocal presence, clarity, and
provides flat response without coloration as well as superior anti
feedback resistance. The built in full range passive crossover, also
offers bi amped operation via a switch on the input panel. The QM 115
is capable of up to 133dB SPL allowing it to be used in concert
applications where instrument stage volumes can sometimes overwhelm
monitor mixes. The QM 115 also excels as a Drum monitor especially when
it is used along with a QS 115 or QM 118 subwoofer. The cabinet is
constructed with 18 mm (3/4”) Baltic birch plywood, is internally
braced to prevent undesired resonance and features a scratch and scuff
resistant black paint finish. Six M-10 fly points provide for
additional applications as a flying side fill, as a FOH speaker and as
a truss mounted front fill.
Configuration (Full range) Way 2 coaxial
Recommended amplifier Watts (RMS) 700
Long term power Watts 350
Short term power(IEC268-5) Wstts 1400
Nominal impedance ohms 8
Configuration (Bi amp) Way 2
Recommended amplifier Watts (RMS) 700/160 (LF/HF)
Long term power Watts 350/80 (LF/HF)
Short term power(IEC268-5) Watts 1400/320 (LF/HF)
Nominal impedance ohms 8/8 (LF/HF)
Frequency response @ -6dB 60Hz – 18kHz
High frequency driver 2" – 3" voice coil
Low frequency woofer 15" – 3" voice coil
Sensitivity (Full range) (@1W/1m) dB 99
Sensitivity (Bi amp) (@1W/1m) dB 99/108 (LF/HF)
Maximum SPL (Full range) dB 130
Maximum SPL (Bi amp) dB 103/133 (LF/HF)
Crossover frequency kHz 1,6
Dispersion 70° conical
Recommended HP filter 45Hz-24dboct
Recommended external controller Qube SP 22 D plug in module
Input connectors 2 Speakon NL 4
Net dimensions (WxHxD) cm 53,7x38,7x59,8 ( 21,14"x15,23"x23,54")
Net weight Kg 27(59,5lbs)
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